In the water, the housing (with camera and battery) weighs less than the Alpha 1 does on land. None of this would matter, of course, without a great housing to keep your Alpha 1 dry, and the NA-A1 boasts the rock solid build and excellent ergonomics that we’ve come to expect from Nauticam. Along with the A7S III, the A1 is, however, only the second full-frame Alpha camera to offer digital stabilization (called Active Steadyshot) in addition to in-body stabilization, though the feature also incurs a 1.1x crop. Serious filmmakers should keep in mind that the Alpha 1 uses pixel binning to record 4K video at 60p and 120p rather than oversampling like the Canon EOS R5, and unlike the full-sensor capture of the Canon, there’s a slight 1.1x crop when recording 4K/120p with the Sony. On the video side, you have the ability to capture 4K/60p and 4K/120p 10-bit 4:2:2 video for smooth cinematic slow-motion playback, with various Log recording options and the ability to output 4.3K 16-bit RAW video to an external recorder. On the photography side, the 1/400s flash sync opens up unique possibilities for capturing fast action and for shooting in bright ambient light conditions, assisted by a 759-point phase-detection autofocus system covering 92% of the sensor. While the high-resolution headlines-50MP images and 8K video-set the Alpha 1 apart from the majority of cameras on the market (Canon’s EOS R5 and Nikon’s Z9 being the obvious exceptions), there is also an array of impressive features and capabilities that aren’t so immediately apparent. Oceanic manta ray at San Benedicto Island, Revillagigedo Archipelago, Mexico (Sony Alpha 1, Sony FE 16–35mm f/4 at 16mm, dual Sea&Sea YS-D3 Lighting Mk II, f/16, 1/200s, ISO 640) So, is the Sony Alpha 1, in Nauticam’s housing, as good as it sounds on paper? Earlier this year, I finally had the opportunity to get the camera in the water, in the Nauticam NA-A1 housing, and for the past seven months, I have been putting it through the wringer on back-to-back recreational and commercial projects spanning 10 countries. Having made a switch over to Sony mirrorless with the A7R Mark IV a few years ago, I was dying to check out the new flagship-and find out for myself if the camera really was able to live up to all the hype. It was as if Sony’s engineers had gone all mad scientist and frankensteined the best features from their different full-frame models to create one powerhouse mirrorless camera body. And all of this packed into a camera body that looked suspiciously similar to all Sony’s other full-frame mirrorless cameras. With specs like a 50-megapixel “stacked” full-frame sensor, 8K video recording at 10-bit 4:2:2, and the ability to fire 30 shots per second in RAW (albeit lossy compressed), not to mention the hefty $6,500 price tag, it was clear it was aimed squarely at professsionals and deep-pocketed enthusiast shooters. The Sony Alpha 1 first hit stores in March 2021 with a flurry of media hype around it. Topside Bonus: Awesome Astro and Nightscapes.A 4K Filmmaker’s Dream Camera with Pro-Level Video Tools.Accurate Custom White Balance for Great Ambient Light Color at Any Depth.Lightning-Fast Autofocus with Both Wide-Angle and Macro Subjects.Huge, Malleable Images without Compromising Low-Light Performance. A Dependable Workhorse No Matter How Tough the Task. Pros: Stunningly detailed images with enough megapixels for heavy crops beautiful video with extreme slo-mo 4K options speedy autofocus with both wide-angle and macro lenses accurate custom white balancesĬons: High price tag battery life when shooting high frame-rate video lack of native full-frame fisheye
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